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Publication identity and circulation material
The cover combines an aerial photograph of the landscape with a hand-painted depiction of the village, connecting physical place with lived memory.
- Poster (A4)
The poster presents the book in a public, informational format, retaining the same typographic structure while adjusting scale and density.
- Bookmark (double-sided)
A double-sided bookmark designed to accompany the reading of the book, using the same typographic language at a smaller scale.
- Presentation banner
Banner used during public presentations, applying the book’s visual identity to a large-scale setting while keeping information clear and readable from a distance.
Φωτεινό [Ζελίστα] — Editorial System for a Living Archive
Fotino [Zelista] — My Village is an extensive editorial project of cultural documentation, produced under the auspices of the Brotherhood of Fotino (Ioannina). It is built upon primary photographic material, oral testimonies, poetry, archival documents, and objects of everyday life.
The book’s design does not treat imagery as an illustration of text, but as an equal narrative layer. Photography, written word, silence, and archival fragments coexist within a continuous flow, structured through a rigorous yet flexible editorial system—designed to sustain a large volume of heterogeneous content without compromising readability, rhythm, or emotional precision.
The editorial structure allows memory to unfold gradually. Dense and sparse spreads, parallel narratives, off-flow inserts, and shifts in pacing form a cohesive body of work exceeding 500 pages. Each layout decision functions as a tool of organization rather than embellishment.
This presentation does not attempt to condense the book. Instead, it maps its internal logic: how content is sequenced, how images are managed across varying densities, and how typography and layout mediate between documentation and lived experience.
Here, design operates as an act of stewardship. Its role is to hold, organize, and give space to collective memory—without aestheticizing it into nostalgia or reducing it to spectacle.
















